Introduction
Accidental racism is a complex phenomenon often present in films that aim to promote anti-racism yet inadvertently reinforce harmful stereotypes. This article explores examples of such films, critically analyzing how these narratives can trivialize racism and perpetuate harmful beliefs. By examining specific movies like Gran Torino, Avatar, and District 9, we will uncover the hidden biases that hinder our understanding and combat against racism.
Gran Torino: The Subversion of Racist Stereotypes
Gran Torino (2008), while attempting to highlight anti-racism, inadvertently trivializes racism. The film tells the story of a racist widower played by Clint Eastwood who initially despises his Hmong neighbors but forms an unexpected bond with them. The movie’s premise centers on the elderly protagonist's evolution, showcasing his redemption through this relationship.
However, according to Bee Vang's essay, the film's portrayal of the protagonist's slurs and ultimately his sacrifice for his neighbors can trivialize racism. Vang warns that the white Americans who find the movie entertaining may accept that as long as a person is well-intentioned, it is acceptable to use slurs and hold racist beliefs. This is concerning, especially given the rise in anti-Asian hate crimes during the COVID-19 pandemic, where Vang cites that racism is no longer seen as trivial but a severe issue.
Emerging Themes in Anti-Racist Films
Several films from this era attempt to present an unequivocal anti-racist message but fail to escape being affected by accidental racism. Films such as Avatar (2009) and District 9 (2009) follow similar narratives where white protagonists learn to oppose oppressive systems but end up reinforcing other forms of racism.
Avatar: Sully and the Na'vi
In Avatar, the white protagonist Sully goes through a journey of redemption, sacrificing his human life and converting to the Na'vi people. This narrative highlights the anti-racist message, yet it is fundamentally flawed. Sully achieves feats that no Na'vi has done, despite only months of integration. This juxtaposition reinforces the idea that white individuals are superior to the indigenous Na'vi people.
District 9: Whites as Saviors
District 9 presents a dystopian narrative where human refugees face discrimination and violence. However, the white protagonist Wikus van der Merwe is portrayed as the hero who saves the alien group. The film's depiction of black characters as voodoo cannibals and gang members further reinforces negative stereotypes. Even when the white protagonist engages in violence against these black individuals, the audience is meant to support him. This portrayal undermines the anti-racist message by suggesting that non-white groups are less capable and in need of white leadership or intervention.
The Mechanics of Accidental Racism in Film
The whitewashing of these narratives is a key aspect of the films' problematic nature. White protagonists in both films have advanced themselves to a level that non-white characters cannot, playing a central role in their own salvation. For example, in Avatar, Sully transcends native abilities, while in District 9, Wikus van der Merwe showcases superior leadership and resourcefulness. Such portrayals not only perpetuate harmful stereotypes but also undermine the aims of anti-racist films.
Conclusion
The examples of Gran Torino, Avatar, and District 9 highlight the intricate ways in which films can unintentionally propagate racism despite their claims of anti-racism. Accidental racism in film is a significant issue that needs to be addressed, emphasizing the need for more nuanced and authentic storytelling. By critically examining these narratives, we can better understand and mitigate the harmful effects of such portrayal on our society.